Journal

Notes on reference workflows and archive structure

How to draw the head from the back

A practical way to build the back view from the cranium, ears, jaw, and neck instead of guessing from a front view.

How to organize the cranium, ear, jaw, and small remaining facial wedge at three-quarter back.

A timed drill that treats sixteen views as one turning form instead of sixteen separate portraits.

Construction lines drift when they are redrawn as symbols instead of carried around one form. These checks keep them attached.